Chambers

If you press your ear against my chest you will hear a clock ticking, a slow and heavy pendulum dangling.

An aorta feeding organs blood, the sound of rushing rivers and waterfalls in suspended silence, then crashing on rocks below. Inside four chambers lie four very different worlds. One gray and black with a murmur, a flutter. A beat. A murmuration of birds, flying together as one shape changing trapeze act. Shifting with wind, with movement of an arm or the brush of fingers through hair. My body conducts them, endlessly swirling, colliding like chemical flakes in a snowglobe.

Second chamber is a field of grass where I would run naked as a child and pick daisies that were as tall as my head. Remembering the feeling of grass touching my skin and coloring my legs like a paintbrush. How the world was seen from inside that field and it stretched for as far as my eyes could see. A quiet crawlspace of a chamber where one could crawl beneath the grass and hide with crickets and ladybugs-poke your head out to be touched by butterflies.

Third chamber is for my sorrow. It is deep scarlet red, with chocolate undertones. This chamber is cold and hollow, yet full of voices and words that bounce off walls. Words like sex and love and ache. Words that mean betrayal and feel like sharpened knives. This chamber is for storage, full of drawers and old letters filed next to lessons learned and categorized by relevance. It is cluttered and often gusts of wind come in and scatter everything. Your patterns become clear stretched out before you and you promise you won’t make that mistake again-but you do, you just do it differently this time. You disguise it, but underneath it’s still the same. You cannot truly grow in this chamber. You come here to learn, to remember, to grieve.

The fourth chamber is for my son. A safe space beneath my breast where he still cradles his head and listens to the rhythm of my breath. Of my beat. Of the first sound he knew, before my voice, before a song or a story read. My pulse was his music, his soundtrack to dance to. He knows the sound of it racing or panicked, the sound when it sleeps or is alarmed, the sound it makes when I’m relaxed or contemplating or when I’m giving birth or when I was breastfeeding.

If you pressed your ear to my heart beat you would hear whispers of birch bark and beds of ferns by the edge of a bog, you would hear owls calling in the night, a galaxy being born and another dying.

You would hear the words, “Don’t leave me alone here.” You would hear fear and the voice of a little girl who just wanted to please. You would hear the words, “I just can’t let it go” and they would be a lie, because I can let it go, I choose not to. I choose not to because sometimes it’s easier to hold onto something that has hurt you when that pain has become so familiar that you know it like reading braille with your fingertips. Hurt is intimate. So instead of letting it go, you let it stay. It may be one of the only memories you have left of him. You may have thrown many of the good ones away. And sometimes we need reminders. You would hear the words, “Sometimes we need reminders, that even though love is painful, we accept and choose that pain. Sometimes pain is more familiar than pleasure.”

You might hear the sound of a smile, or my heart swelling, you might hear it burst or set itself aflame with anger if someone it loves is being mistreated. It may tell you to go. It may not say a word. It’s a powerful, yet fickle living machine.

If I stretch my limbs out I can feel it pumping, pushing blood to my fingertips and circulating. If I listen carefully I can hear it flow through my head, the murmur, the beat, the memories.

Murmuration
Beat.
Childhood
Beat.
Sorrow.
Beat.
Son
Beat.
Heart
Beat.
Write
Beat.
Now
Beat.

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An Incantation

An incantation:

I give you lavender, cedar and balsam fir. I give you sweet orange and cinnamon. I gift you grapefruit and eucalyptus with a splash of lime. Here are sea salts to soothe your skin and smooth your wounds, here is oil of almond to merge with your golden skin. Here are my lips to your forehead with a gentle, yet purposeful kiss. Here is my hand.

A bow of my head to the silent wing of a barn owl, of soundless flight, of motion without detectable noise, stealth eyes riding currents of the night.

Bow to the undisturbed forest in all its splendor and see that there is a natural order within chaos, within fallen trees taken over by moss and eaten by insects, with branches that intersect in your direct path and scratch your legs as you maneuver through the untamed.

Bow your head to the notion that this is highly ordered, this untangled and untouched, unfiltered and unmanicured wood has fallen this way for hundreds of years and has rebuilt for many more than that. This chaos is its optimal state.

Bow your heads to the niches and the symbiotic mutualism, the relationships in nature that all rest in balance with one another. Bow your head to the delicate chain of life itself and survival and cells and photosynthesis for this is proof of magic. This is proof beyond any God.

A moment of silence for the dead. For the ones we’ve loved and the ones we’ve never met, but grieved for in stories of war or in pages of fiction that wove themselves into our hearts and became a part of you.

A moment of silence for the word grieving and how that one word can mean so many different things. We grieve loss or what never will be. And there is so much in this world to lose, so much you will never have. So much pain mixed with so much beauty.

A moment of silence for irony and being able to laugh in moments of sheer sadness or panic.

A moment of silence for you.
For. This. Minute.
It is yours.

An incantation for the wild that lies beneath
For the quiet who observe and absorb
All you hear
All you see
And taste and touch
And smell and inhale.
For all the salted tears that fall upon your face and drip slow like honey, Hanging thick like morning fog, like the space between yourself and reality.

An incantation for dissociation and how it serves a function, an often overlooked purpose.
It saves us.
It keeps us from feeling things that are just too much at once, it keeps the reactive anger at bay, it keeps me humble and allows me to see my life from a safe space.

Blessed be the women who curse and speak with silver tongues and move their hips like snakes, who own their curves and imperfections and realize these are their unique and individual markings, their collection of stories in form of flesh and fat, in rib and collarbone.

Blessed be the storytellers. The ones who keep the truths. The ones who tell to remember as much as they tell to teach and who see the story as a dance, as a ballet or as a symphony of synesthesia. Those who continue giving and creating and sharing themselves, piece by piece by piece.

A whisper to the fields of wild flowers and ferns and the twists and turns and Fibonacci sequences that match the galaxies and spiral on a nautilus, the natural spiral shape of the universe, the shape I drew over and over as a child, because it was comforting to me, because it felt like home, because drawing that shape felt like my fingerprint or tracing my hand.

An incantation to birth, to beginning and end.
To the fire and ash,
To those who leave and those who stay.

A clasping of hands pressed to lips
For the color the world is painted
Right before the sun sets.
For the nights that are clear enough
To see meteors fall from the sky,
For planetary alignments
And magnetic shifts,
For having a place,
For this measurement of time,
For being so small…
So insignificantly spectacular

In this vast space
In the grand scheme of it all.

 

(Inspired by prompts from Jeanette Leblanc @http://www.peacelovefree.com/)

Wild

Inner Wild

wild (v.)
“to run wild, refuse to be tamed,” Old English awildian (see wild (adj.)). Wilding (n.) in the teen gang sense first recorded 1989. Earlier it meant “plant that grows without cultivation” (1520s).

wild (adj.)
Old English wilde “in the natural state, uncultivated, untamed, undomesticated, uncontrolled,” from Proto-Germanic *wilthja- (cognates: Old Saxon wildi, Old Norse villr, Old Frisian wilde, Dutch wild, Old High German wildi, German wild, Gothic wilþeis “wild,” German Wild (n.) “game”), from PIE root*welt- “woodlands; wild” (see wold).

wild (n.)
“uncultivated or desolate region,” 1590s, in the wilds. From wild (adj.). Earlier it meant “wild animal” (c. 1200).

When my Wild self crawls out in an untamed howl she screams like a banshee, she speaks in tongues and sounds of fury and love. Like a chorus of mother wolves, she paces and circles within me, within her marked and carefully guarded territory. She breaks through me like medusa encased in stone, follicles of snakes dancing upon her head, ready to walk barefoot down the sunken trail.

She is fierce and often reckless, a Wild uncultivated tongue that tastes sweet like roses and honey, tendrils wrapping tightly, piercing ever so gently with thorns that dig in and cut the surface, the Wild longs for the depth, she seeks what lies beneath.

Unleashed Wild likes to shapeshift and crawl inside and around, feral like an animal, others know her as Instinct. Wild like Instinct, and action without thought. Wild like when we allow ourselves to be animals, to lose language and move bodies as our predecessors did- walk on all fours or slither around each other like invertebrates. Wild bodies tangled like undisturbed forests, Wild like mating calls and rituals, like fire and wind that speaks through branches of trees.

A mouth wide open with dry lips and the shrieking echo of a red tail hawk flying. Wild like the way it finds you, the way it circles you. One, Two, Three times. Wild like soaring upon air, like sunlight illuminating wings. Wild like speaking to animals, like knowing their words and gestures. Wild like knowing the shape and size of their bones beneath your skin.

Wild as in untamed, as in no one can capture me or hold me down or plant my feet. Wild as in I am solitary, often by choice, sometimes by circumstance, mostly by acceptance.

Untamed like the blood running through my veins, carrying choices from generations passed, entwined in my DNA. Wild like winds that shake the barely in Ireland where many of my father’s side once lived and I stare at the family crest and wonder what they looked like, what they thought and who they loved and what they knew of hardship and suffering.

Wild like Native American blood, like a connection to the land that calls to me in my sleep that I have no living link to, no formal stories aside from the ones my eyes hold in the deep.

Wild like my matriarchs before me, like the imagined selves they never got to be.

Wild like the time I was 11, it was summer and my skin was sticky from a humid day. A thunderstorm moved in, and something pulled me, some Wild spirit. I challenged the storm, I opened the door and ran barefoot up the trail in the woods as fast as I could. I ran until my lungs burned and my head was light. I waited under a stand of trees and sat on my favorite boulder and I stared at the empty field before me as I watched lightning strike. Wild like knowing I could have- that I should have turned and run home the way I came.

Wild like just following my feet, never telling my mother I was leaving. Wild like my anger.

Wild like my breath and the beat of my heart and the slow yet deliberate smile that came across my face as I leaped from the rock, ran into the pouring rain and feet hit the muddy and slick grassy field. Wild the way that time stops or slows down or changes how you recall things when your body fills with adrenaline. Wild that I had the arrogance to challenge such a storm. I ran through the field and I heard a symphony playing in my head, the thunder crashed and lightning broke the sky and I ran across the field and into the dirt road, with rocks cutting the soles of my feet and my mother’s voice in the distance calling me.

Wild like in that moment- feeling so brilliant, so defiant- against myself, the laws of nature, against luck and chance and my own physical limits. Wild like I had uncovered true freedom. I stood in the middle of the road, bent over catching my breath, hands resting on my knees, tired and soaked from summer rain that carried courage and a certain sense of immortality.

I knew from that very moment I loved the Wild; the noun, the verb, the adjective, whatever shape or form or synonym it took. I knew— raindrops brushing my eyelids, rib cage expanding, feet bleeding, my heart and mind aligning, that I was bound to Wild.

I would never truly be a woman you could tame.

 

Credit to:Jeanette Leblanc @http://www.peacelovefree.com/ for providing prompts to inspire this writing

Today

Today the wind is wild.
A gust that smells of electricity
of anticipation
Today I sat on the wood steps
Several tears fell to my dirty knees and made tiny muddy tributaries

Today I wait with the storm to break
To let lightning be my fury
To let rain wash me
Cleanse me,
absorbing
seeping through the permanent ink
The second or third layers of stories
when secrets and lessons walk with me
shadows connecting at my feet

Today I let the thunder do the talking
droplets of rain bleeding ink on the page
Feed on words and water like leeches
Sucking them dry

Today I try it on
This new layer of epidermis
Skin like teflon
Where your words
your silence joins my silence and we co-exist
Letting syllables and insults slide off me
Thoughts coagulate

Today I shut it down
The willingness to engage
to explain and unearth

Today I am alone (we all are)
The unseen
I pass by people
Hide in plain sight
Under this humid, heavy air
Time slow like honey
Sticky like the sweat on my neck, my lips, my feet

Today I wait for change to come and find me.

Ode to a Four Letter Word

Ode to a four letter word:

Own.
Your.
Shit!
Your secrets and opinions
your scars
your mistakes
your misspoken words
your hurt
your intentions
your respect
your flaws.

Work.
That.
Shit.
Moving Earth with every step
Every toss of the hair
Every flirty smile
Well polished on the outside
In the way you move
the way you carry yourself
Take notice
Work.
It.

Shit happens.
As if this phrase ever helped anyone.
Yes, of course shit happens
It happens to others
To people that aren’t as fortunate as me
It doesn’t negate my perception
My truth
Shit happens
as a dismissal of true emotion
Is this shit even relevant?

Enough.
Enough of this shit.
Your tongue churns out lies like they’re hot off the press
Like a record skipping
Hollow words
No depth
No meaning
Enough of this deadbeat dad shit
This nationwide epidemic we ignore shit
Enough of this poor single mom shit
This struggle to get by shit
Enough wiping my son’s tears
Crying for his father
For any father
For a man he will never know.
Fuck that shit.

About to lose my shit
Yet it always comes slinking back
Anxiety tightens the brain
and you run out of deep breaths to take
Teetering on the edge…
of what?
What would it look like to just surrender?
To just give up?
To just let shit go.

Quit.
Talking shit.
Pack that shit
Pass that shit
Light that shit
Smoke that shit
That green shit
That “take the edge off” shit
Quit.
Taking shit.

You tell yourself it doesn’t mean shit
(but it does)
You tell yourself you are
Over this shit
Done with this shit
Yet, you keep coming back for more
This shit
This waste
It camps out inside you
Gypsy traveling sadness shit
The wander the earth alone shit

The realizing
We are all in this together shit.
Rebuild shit
Reinvent shit

Stop.
Stop this shit.

Three Words

Three words

A silent scream
Feminist messages unfold
My origami womb
Keeps changing shapes
Folded, manipulated, locked.

My womb is
full of wonder
Heavy with ghosts
Full of emptiness
Phantom feet kicking

My womb is
a safe haven
A soft pillow
Lay your head
down and dream
Golden, swollen chrysalis
My womb a

home long abandoned

Keeper of secrets
Shielded by loss
It leads me
Speaks to me
It bleeds me

My womb is
a temporary graveyard
For lost souls
For those who
misunderstood the meaning
the word, NO!
For the burden
I cling to
For the seconds
For the minutes
For the hours
taken from me

You start to
Believe the lies
truths you were told
All parts rearrange
into faded images
worn out edges
Into stories without
a happy ending

A place that
once held life
once held hope
foolish little dreams
You wanted touch
that ripped through
ribs of iron
Eyes of steel
watching over me

My womb forgives
the improper entries
a naive girl
lost and longing
defiant and angry
I learned to
listen, patient love

I owe my
womb an apology
For ever doubting
For never trusting
My own instincts
For censoring expression
For leading it
the wrong way
For shed tears
For silencing you
For treating you
Like a sidekick
Like a kick
Like a thorn
in my side

I apologize for
too many years
for not fighting
back, when all
I saw was
Black, bleak, blurry
For my feet
that couldn’t move
For abandoning myself
For running away
For letting you
hold this space

For accepting this

For the escape

(inspired by prompts from http://www.isabelabbott.com/writing-the-womb/ )