Chambers

If you press your ear against my chest you will hear a clock ticking, a slow and heavy pendulum dangling.

An aorta feeding organs blood, the sound of rushing rivers and waterfalls in suspended silence, then crashing on rocks below. Inside four chambers lie four very different worlds. One gray and black with a murmur, a flutter. A beat. A murmuration of birds, flying together as one shape changing trapeze act. Shifting with wind, with movement of an arm or the brush of fingers through hair. My body conducts them, endlessly swirling, colliding like chemical flakes in a snowglobe.

Second chamber is a field of grass where I would run naked as a child and pick daisies that were as tall as my head. Remembering the feeling of grass touching my skin and coloring my legs like a paintbrush. How the world was seen from inside that field and it stretched for as far as my eyes could see. A quiet crawlspace of a chamber where one could crawl beneath the grass and hide with crickets and ladybugs-poke your head out to be touched by butterflies.

Third chamber is for my sorrow. It is deep scarlet red, with chocolate undertones. This chamber is cold and hollow, yet full of voices and words that bounce off walls. Words like sex and love and ache. Words that mean betrayal and feel like sharpened knives. This chamber is for storage, full of drawers and old letters filed next to lessons learned and categorized by relevance. It is cluttered and often gusts of wind come in and scatter everything. Your patterns become clear stretched out before you and you promise you won’t make that mistake again-but you do, you just do it differently this time. You disguise it, but underneath it’s still the same. You cannot truly grow in this chamber. You come here to learn, to remember, to grieve.

The fourth chamber is for my son. A safe space beneath my breast where he still cradles his head and listens to the rhythm of my breath. Of my beat. Of the first sound he knew, before my voice, before a song or a story read. My pulse was his music, his soundtrack to dance to. He knows the sound of it racing or panicked, the sound when it sleeps or is alarmed, the sound it makes when I’m relaxed or contemplating or when I’m giving birth or when I was breastfeeding.

If you pressed your ear to my heart beat you would hear whispers of birch bark and beds of ferns by the edge of a bog, you would hear owls calling in the night, a galaxy being born and another dying.

You would hear the words, “Don’t leave me alone here.” You would hear fear and the voice of a little girl who just wanted to please. You would hear the words, “I just can’t let it go” and they would be a lie, because I can let it go, I choose not to. I choose not to because sometimes it’s easier to hold onto something that has hurt you when that pain has become so familiar that you know it like reading braille with your fingertips. Hurt is intimate. So instead of letting it go, you let it stay. It may be one of the only memories you have left of him. You may have thrown many of the good ones away. And sometimes we need reminders. You would hear the words, “Sometimes we need reminders, that even though love is painful, we accept and choose that pain. Sometimes pain is more familiar than pleasure.”

You might hear the sound of a smile, or my heart swelling, you might hear it burst or set itself aflame with anger if someone it loves is being mistreated. It may tell you to go. It may not say a word. It’s a powerful, yet fickle living machine.

If I stretch my limbs out I can feel it pumping, pushing blood to my fingertips and circulating. If I listen carefully I can hear it flow through my head, the murmur, the beat, the memories.

Murmuration
Beat.
Childhood
Beat.
Sorrow.
Beat.
Son
Beat.
Heart
Beat.
Write
Beat.
Now
Beat.

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Where do I go?

We all have those places we run to, the places we retreat to, in the recesses of our minds, in the dark corner, under the covers or out in a sunlit field. I asked myself, as I ask you, where is your space? What do you claim as your calm, your quiet, your escape? Where is that safe space in time that holds you tight like the womb, where you can unfold and be…you -in all your glory, wrapped in lessons and memories held by skin and days or months or years. Where do you go?

I asked myself several years ago where I would rest if I died. I know not in a box, not in that sense, but a place. If we were supposed to choose our ideal spot, the one special piece that had become the landscape of our heart. My answer was a series of questions.
Nowhere and everywhere.12687769_10153812315116166_1028088449205451360_n

Did it really matter?

There was no place.

There were places; in time, in memory or emotion, in imagination or longing of traveling to places I’ve never been.

Sometimes I close my eyes and I find myself in corners of empty rooms, brightly lit. I see myself curled tightly, chin resting upon my knees, like steady, solid guards protecting me. There are times I need complete solitude and space, where the walls are pale, pale yellow or cream or orange and the paint is chipped or peeling, little fragments scattered on the floor which is warped wood full of scratches and dusted footprints. The space is abandoned, overgrown with broken panes of windows where nature creeps in, tracks from small animals and stray feathers from birds, dead leaves create sparse blankets or nests and in this forgotten space, there is still constant and deliberate growth. A familiar oddity. Sometimes I go here. I take and leave nothing. I never even speak.

Other times, with my eyes open wide, I leave sidewalk and traffic lights, sirens and stop signs, neon lights, barking dogs, the sound of skateboards hitting the pavement and engines humming. I trade them for carpets created by conifers, for the way that the underside of birch bark slides like silk across your skin. Traffic lights become crickets and neon a form of firefly. The modern disappears and it is the forest and I.

This is home. This is the place my feet know. This is why my soles are calloused and rough and shaped by earth-because walking barefoot through the wild is important to me. Because my feet need to feel earth. They need to touch stick and stone and be comforted by moss, challenged by thorns and ice cold rivers. This is why I leave shoes behind in the summer, why I tell my son to do the same. So he can know the feel of soil and sap and acorn caps and various textures of lichen and mud between his toes and speak its language. My home is the forest, but home is not always where we need to be.

When I need escape, when I need to lose my skin and become light to shed layers and feel golden and ancient and connected with time, I arrive in places I have only seen in dreams, where maps and globes and pages in books pull me. Here my sternum is lapis and my crown is moonstone, my eyes are boulder opal and lips of garnet. I walk through walls and time. I walk among stars and gravity has lost its hold on me. I belong in parts of the planet I’ve never been. Here I am a different self, a version that cannot exist anywhere else.

When I need wisdom, raw truth where there is no filter and I can hear myself clearly I travel back to Tucson, Arizona (in my memory) to the Saguaro desert. I remember seeing it for the first time in daylight, how there was no canopy between me and the sky-nowhere to hide and the arms of the cacti twisted and stretched through the swirling waves of the heat.

Where Earth was raw earth. Bare rock and bone.

The heat held me tightly while I stared at the long forgotten, dried and deadened sea that lay cracked before me, too hot, for even my calloused feet to conquer. Forcing salted drops of sweat on my skin. Raw like placing yourself in the middle of the sun’s territory and surrendering.

This desert tore me apart, it stripped me bare and then filled me with life when I least expected it. The desert birthed me as a mother, as I birthed in it, my son. It holds truths I’d rather forget, but can’t, and memories so beautiful I want them running like an endless filmstrip in my mind.

I often revisit that beauty of raw pain and joy.
The beauty of the naked truth.
The vulnerability.

An Incantation

An incantation:

I give you lavender, cedar and balsam fir. I give you sweet orange and cinnamon. I gift you grapefruit and eucalyptus with a splash of lime. Here are sea salts to soothe your skin and smooth your wounds, here is oil of almond to merge with your golden skin. Here are my lips to your forehead with a gentle, yet purposeful kiss. Here is my hand.

A bow of my head to the silent wing of a barn owl, of soundless flight, of motion without detectable noise, stealth eyes riding currents of the night.

Bow to the undisturbed forest in all its splendor and see that there is a natural order within chaos, within fallen trees taken over by moss and eaten by insects, with branches that intersect in your direct path and scratch your legs as you maneuver through the untamed.

Bow your head to the notion that this is highly ordered, this untangled and untouched, unfiltered and unmanicured wood has fallen this way for hundreds of years and has rebuilt for many more than that. This chaos is its optimal state.

Bow your heads to the niches and the symbiotic mutualism, the relationships in nature that all rest in balance with one another. Bow your head to the delicate chain of life itself and survival and cells and photosynthesis for this is proof of magic. This is proof beyond any God.

A moment of silence for the dead. For the ones we’ve loved and the ones we’ve never met, but grieved for in stories of war or in pages of fiction that wove themselves into our hearts and became a part of you.

A moment of silence for the word grieving and how that one word can mean so many different things. We grieve loss or what never will be. And there is so much in this world to lose, so much you will never have. So much pain mixed with so much beauty.

A moment of silence for irony and being able to laugh in moments of sheer sadness or panic.

A moment of silence for you.
For. This. Minute.
It is yours.

An incantation for the wild that lies beneath
For the quiet who observe and absorb
All you hear
All you see
And taste and touch
And smell and inhale.
For all the salted tears that fall upon your face and drip slow like honey, Hanging thick like morning fog, like the space between yourself and reality.

An incantation for dissociation and how it serves a function, an often overlooked purpose.
It saves us.
It keeps us from feeling things that are just too much at once, it keeps the reactive anger at bay, it keeps me humble and allows me to see my life from a safe space.

Blessed be the women who curse and speak with silver tongues and move their hips like snakes, who own their curves and imperfections and realize these are their unique and individual markings, their collection of stories in form of flesh and fat, in rib and collarbone.

Blessed be the storytellers. The ones who keep the truths. The ones who tell to remember as much as they tell to teach and who see the story as a dance, as a ballet or as a symphony of synesthesia. Those who continue giving and creating and sharing themselves, piece by piece by piece.

A whisper to the fields of wild flowers and ferns and the twists and turns and Fibonacci sequences that match the galaxies and spiral on a nautilus, the natural spiral shape of the universe, the shape I drew over and over as a child, because it was comforting to me, because it felt like home, because drawing that shape felt like my fingerprint or tracing my hand.

An incantation to birth, to beginning and end.
To the fire and ash,
To those who leave and those who stay.

A clasping of hands pressed to lips
For the color the world is painted
Right before the sun sets.
For the nights that are clear enough
To see meteors fall from the sky,
For planetary alignments
And magnetic shifts,
For having a place,
For this measurement of time,
For being so small…
So insignificantly spectacular

In this vast space
In the grand scheme of it all.

 

(Inspired by prompts from Jeanette Leblanc @http://www.peacelovefree.com/)

You Already Are

I dream of closing my eyes, head back, feet rising above the treeline,

toes touching stars-swinging in the midnight summer air.

Being thrust into space and gently pulled back down again.

I dream of rising,

of shedding skin and transformation,

of just letting go of the thoughts and actions that don’t truly fulfill me.

I want a house in the country with a little path leading to a deciduous forest scattered with conifers.

I want a lush garden full of pollinators.

I want color where there was dark.                                                                                                                                            

I want dark where there was color.                                                                                                                                          

I want to stir things up and shake them around.                                                                                                                        

I want to make noise.                                                                                                                                                                

I want to be heard.                                                                                                                                                                    

I want to know my younger self again and tell her she’s going to be just fine.                                                                          

I want my words to echo in someone’s head.                                                                                                                            

I want stories told and learned.                                                                                                                                                  

I want passion and solitude.                                                                                                                                                      

I want to hold a hand that whispers in my language.                                                                                                                

I want to sleep soundly and profoundly dream.

I am slow determined growth,

molting,

rising,

marking my space.

I am just a small part in a grand scheme,

a galaxy within a galaxy.

I am integral,                                                                                                                                                                           connected,

electric.

I am.

Writing from Our Word (response to shamanic drumming and visualization)

I intended to be in the forest, sitting down and looking up at the trees, feeling my smallness in comparison. As soon as the drums started and I closed my eyes, there was a flash. I immediately become a red-tailed hawk, not entirely; I can still feel my human body. It enters me. I am a hybrid, human and hawk. My chest rips open (I can see through first and third person at the same time, which is often how I dream.) My ribs expand to be a broad chest. The energy flows down my arms, expanding to wings. My bottom half remains- legs, feet dangling. I am floating above the forest, near the sea. It isn’t a familiar forest, or sea, but one that feels as if I know it inside and out. My eyes are sharp and crisp. My face changes, my nose to beak, my eyes gleaming yellow. I circle the woods. I circle a fire below. I feel the wind run through my feathers, lifting them. We are one, the hybrid. I can still form thoughts like a human, yet feel everything as a hawk, my human body just resting inside. My legs disperse into a tail, spreading, stretching. Wiry legs sprout from my hips. My heart beats differently. I have consumed the hawk and it has consumed me. It runs through my blood. I start to lose balance, the earth seems to shift. I fall. I am diving into the sea.

As soon as my arms (wings) touch the water I am heavy, diving deep, pressure building. I see from outside myself. I see a humpback whale. I am that whale with my sensual curves and ripples, my haunting eyes. I dance in the water so gracefully and open my mouth, breathing in the water. I roll over and thrust myself upward, pushing the water to the depths. I glide out of the water, feeling the water drip, feeling the cool air. I am soaring, the hawk and the whale separate, yet one. I fly over the forest, back to the fire. I touch the ground. I circle the fire, still feeling, yet also seeing the hawk and the whale. I feel the fire. I circle it once more. Transparent faces shoot in and out of the trees. They flicker like fireflies. Ancient faces, spirits- they are here to watch us, to witness this ceremony.

I walk, looking down at the soil, this perfect circle of barren soil carved out of the forest. The fire. My feet. My feet are paws. The hawk and the whale sway opposite the fire from me.  I feel my teeth (sharp and strong.) I feel fur. I am regal and wise. I growl from deep within, like an echo in a cavern. I am a wolf. The wolf is me. I lift my nose, a familiar scent wafts over me. A deer steps close, I can almost taste it. I look to the whale and the hawk. We begin dancing, spinning in circles around the fire. I feel the weight of the whale rocking. I feel the wings of the hawk stretch and twist, moving in rhythm. My paws kick dirt and I move low to the ground. I roll my head from side to side, my shoulders grinding deep. I drop my hips. I move seductively. I stalk.  I JUMP! Antlers burst through my head, growing like the branches of a tree. I see the wolf, the hawk, the whale. They see me, they KNOW me. They hear my heart beat. The beat grows faster . I stomp my hooves (my feet.) I feel bare feet for a moment, inside and outside the hooves. There is no space between bodies. I can’t tell where I end, or begin. Do I end or begin?

I walk with pride. Tall, methodic, I dance. All animals dance around the fire. I see all the animals from outside. I see my feet with pale skin in the night. The air touches my breasts, my hair. I breathe the animals in. I see a smokey form of each of them rise above the fire toward me. Their bodies remain dancing around the fire. They have given themselves to me-the hawk, the whale, the wolf, the deer.

It is dark night. The fire burns bright, setting a tree ablaze. It picks up its roots and moves into the circle, slowly and calmly burning, as if it were meant to be on fire. It stands still, towering above us. I am alive, electric. I am sensual, my hips grind. I feel orgasmic, my body light. A wave of warmth comes over me. My legs part, my vagina is hot, panting like a dog. It smolders like the fire. I swallowed the animals; their smoke selves… and now I birth them, the same smokey apparitions emerging from me, becoming one with the flame, and sharing space with the smoke.

I climb into the wolf. I snarl. I hunger. Without thought I lunge at the deer. I grab it by the throat and pin it to the ground. As soon as it touches the ground, before I can taste blood, its flesh is gone. No meat, no skin, just bones. It lays- perfectly intact skeleton, its heart resting, its heart still beating secure in an empty ribcage. All animals fall like dominos. Down go the whale, the hawk, and then the wolf. All skeletons, all hearts still beating. I am now removed, watching from a distance. The skeletons rise and stand, animated. They dance and circle the fire, drawing closer. My flesh is glowing orange. I feel the heat. We, I, they, us walk into the flames.

We burn with pleasure. We have no fear. We disperse, molecules separating. Time slows and electrons spark, molecules swirling and merging with the smoke.  The smoke rises and changes shapes. The fire cracks and shoots up like a geyser, falling swiftly back. The smoke is me. I am the smoke, still dancing. We are the hawk, the whale, the wolf, the deer. The tree still burns. We take one shape. We rise in curls, in tendrils. In little clouds we gather, we form. We become leaves of smoke inhabited grass sent to the sky. We grow into a flower, a fern, we continue to rise.

The skeletons now lay in a circle around the fire pit. The fire sucks them in. They are fuel. We are fuel. We burn bright. The smoke becomes a geyser, shooting to the stars. The fire goes out, the smoke lingering with the stars. The sky falls. The night is pitch black. The stars litter the ground like fallen leaves. The sky lies with the soil. There is only soil and sky. I, me, they, us are nothing but soil and sky.