An Interpretation of Pain, Joy, Want and Love.

I’m not fond of the word; I don’t enjoy saying it
I don’t enjoy living with it
It haunts me.
It disrupts me.

Pain:
It lives in the hollows
The temporary recesses between breaths
Traveling by way of map
Of neural pathways
Of circuitry following systems sending messages to each other
One speaks.
The other can’t hear.
Doesn’t respond.
Can’t.
Quite.
Communicate.
The way they should.

It stores itself in my spinal column
Cervical vertebrae (C4-C7)
Stenosis.
Bone spurs.
Degenerative discs.

Dystonia.
It lives in my cerebellum
Screaming to muscles in my neck and shoulders
“Tighten! Hold Her! Don’t let her go! She is our prisoner of war!”
And I am.
Handful of medicine each morning
Shots of botox every three months to keep zombie muscles
from involuntary movement
Like a marionette on a string
One string to pull my neck to the left,
To violently grab it
To shake it, contort it
Like a car accident
Like whiplash
A spasm here and there
A twitch

The pain lives in my muscles so deeply it tricks me into thinking it’s embedded in bone.
The accompanying depression,
the insomnia,
the ever present knowledge that there are far worse things
Far worse things…
Still I ache every day
There is no cure
This is not cancer
This will not kill me
And still there is no cure

It lives in a room of skin next to me,
Some may say within me
Some may say my body.
We are roommates here
Imprisoned
Life without parole.

Joy:
She lives quietly.
She lives quietly and neatly and she is guarded cautiously
Kept in a carved wooden box lined with silk,
tucked behind my rib cage
Squeezed between blood and breath.
She sees through my eyes and drinks in words like water
She longs to fix and create
To birth and rebuild.
Sometimes I watch her drowning…
She tires so quickly.

Want:
Wanted.
Wanting.
All these things
Gypsies.
They come and go as they please
Some sort of an open door policy where my body is used
as more of a vessel than a conduit
I want.
They want.
We want things together.

Material things like red lipstick and black leather boots, a garden full of flowers, a new couch, money for rent in my bank account.

Then I want the things that I can’t buy or ask for or even truly receive as mine.

I want the forest, and the sunsets I miss so much from Tucson, I want my son the age he is now and the age he was as an infant and a toddler simultaneously. I want the songbirds to still sing to me in the middle of winter. I want grass between my toes all year round, except I live in, and love this little state that refuses to conform to my wishes. I want a partner who wants me, but then knows exactly when to give me space and the right things to say when I’m anxious, and who can leave before I say, “Go…” I want a partner who sees the ugly and doesn’t run but dives right in and digs deep, past the bedrock to find the beauty and truth…and the love.
The love lies deep.

Love:
Molten core, primordial soup, deep. Once you have it, it’s yours. A fierce, unwavering loyalty. It is boundless and foolish and whimsical. It makes a thousand mistakes and has been bruised and battered and keeps getting-no jumping back up for more. Love knows it walks with all of us. Love is elusive, but ever present.

Unfair and unjust?
Yes.
Cruel and blind?
Yes.

Loves flows in my blood and its opposite is not hate, it’s indifference, ignorance and apathy. Love lives in my son’s smile and his laughter and the sound of him breathing while he sleeps. It lives in my arms and has given life through my breasts and shed tears of joy and sorrow, like silent tributaries down my face.
Love is a necessity.
Love is a verb.
Love is an element.

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An Incantation

An incantation:

I give you lavender, cedar and balsam fir. I give you sweet orange and cinnamon. I gift you grapefruit and eucalyptus with a splash of lime. Here are sea salts to soothe your skin and smooth your wounds, here is oil of almond to merge with your golden skin. Here are my lips to your forehead with a gentle, yet purposeful kiss. Here is my hand.

A bow of my head to the silent wing of a barn owl, of soundless flight, of motion without detectable noise, stealth eyes riding currents of the night.

Bow to the undisturbed forest in all its splendor and see that there is a natural order within chaos, within fallen trees taken over by moss and eaten by insects, with branches that intersect in your direct path and scratch your legs as you maneuver through the untamed.

Bow your head to the notion that this is highly ordered, this untangled and untouched, unfiltered and unmanicured wood has fallen this way for hundreds of years and has rebuilt for many more than that. This chaos is its optimal state.

Bow your heads to the niches and the symbiotic mutualism, the relationships in nature that all rest in balance with one another. Bow your head to the delicate chain of life itself and survival and cells and photosynthesis for this is proof of magic. This is proof beyond any God.

A moment of silence for the dead. For the ones we’ve loved and the ones we’ve never met, but grieved for in stories of war or in pages of fiction that wove themselves into our hearts and became a part of you.

A moment of silence for the word grieving and how that one word can mean so many different things. We grieve loss or what never will be. And there is so much in this world to lose, so much you will never have. So much pain mixed with so much beauty.

A moment of silence for irony and being able to laugh in moments of sheer sadness or panic.

A moment of silence for you.
For. This. Minute.
It is yours.

An incantation for the wild that lies beneath
For the quiet who observe and absorb
All you hear
All you see
And taste and touch
And smell and inhale.
For all the salted tears that fall upon your face and drip slow like honey, Hanging thick like morning fog, like the space between yourself and reality.

An incantation for dissociation and how it serves a function, an often overlooked purpose.
It saves us.
It keeps us from feeling things that are just too much at once, it keeps the reactive anger at bay, it keeps me humble and allows me to see my life from a safe space.

Blessed be the women who curse and speak with silver tongues and move their hips like snakes, who own their curves and imperfections and realize these are their unique and individual markings, their collection of stories in form of flesh and fat, in rib and collarbone.

Blessed be the storytellers. The ones who keep the truths. The ones who tell to remember as much as they tell to teach and who see the story as a dance, as a ballet or as a symphony of synesthesia. Those who continue giving and creating and sharing themselves, piece by piece by piece.

A whisper to the fields of wild flowers and ferns and the twists and turns and Fibonacci sequences that match the galaxies and spiral on a nautilus, the natural spiral shape of the universe, the shape I drew over and over as a child, because it was comforting to me, because it felt like home, because drawing that shape felt like my fingerprint or tracing my hand.

An incantation to birth, to beginning and end.
To the fire and ash,
To those who leave and those who stay.

A clasping of hands pressed to lips
For the color the world is painted
Right before the sun sets.
For the nights that are clear enough
To see meteors fall from the sky,
For planetary alignments
And magnetic shifts,
For having a place,
For this measurement of time,
For being so small…
So insignificantly spectacular

In this vast space
In the grand scheme of it all.

 

(Inspired by prompts from Jeanette Leblanc @http://www.peacelovefree.com/)

Slow Rumble

It happens when the dust clears
When the sunlight streams in the frost bitten windows
When the brass statues are polished, and all the books are gently placed on the shelves.
When the table is clear, the plants are watered
When there is space between minutes
And the room thanks you for noticing
When small gestures feel like rewards

It rests in the pit of my stomach
A fluid weight
Like diving under water and holding your breath
Just long enough to imagine what a different life feels like
To know where your primordial gills and fins would have taken you…

A tsunami.
A tsunami stirs my blood.

It feels like snowflakes, fresh fallen
Cotton, gray skies
The cold pressing against your tongue for a moment
…a second
(the impermanence)
Your senses left tingling

It rests right below the surface,
Skin like ice
A frozen epidermis – with waves and crystallized particles mixing
How it sounds different colliding with the shore
A hollow lullaby washes over the rocks

You ache for warmth
You breathe in the cold
Let it paint your lungs of lace
You pause
Releasing
A visible exhale
Yes, this is alive!
Hot breath, cold air lock hands in a symbiotic dance
A swift rhythm
A pulse

It feels like this,
Right now when the house is quiet and the snow gently falls.
When my pen touches paper and spills out letters one by one
Until they connect
Until they make something
Anything.

Sometimes a low, slow rumbling
Eyes open
An underwater scream
It is mine
However vulnerable or powerful or vain

My rattle
My shake
A ripple of concentric circles
Expanding
My tiny earthquake
A roar
A sound of eruption
A soft and deliberate demolition
A flow
An overflowing
A cadence
A moment
This moment
A satisfaction
A solace
A fierce whisper
An only escape.

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Walk with fire

I awoke with languid limbs, heavy from dreams I was still speaking to.
My head a fog of past particles mixed by confusion and the sound of my son calling.
Winds had battered my window all night
A banshee knocking, beckoning me to come play
To be swept away in endless frozen gusts
I breathe deeply and promise myself I will get him to school, despite the arguing, despite the begging to stay warm and safe in dark blankets.
My gentle, yet strong words cut through his attempts
He finally cracks like ice beneath his boots and agrees to get dressed.
Only three hours late for school.
I sit in the car, warming my hands.
Just breath.
Just silence.
For the first time in sixteen days.
Home again, I dress the dog in his ridiculous coat and force myself into the subzero
The cold hard ground bites back
My face numb
Winter has taken me.

I walk slowly, letting the cold absorb me, watching the puddles, now miniature ponds
The smell of pine and smoke blowing past me.

I walk with a fire inside
A fuel
An eternal flame of defiance, devotion, disillusion
I envision the burning words I began this new year with

Goodbye to memories that taint my vision, goodbye to dead love lost and long buried, goodbye to fear of failure and exposure.

I am exposed.
Face and hands raw
Stepping determinedly
Like a predator
Like a wolf inside me
Ready to howl with neighborhood dogs paws up on fences
I stop and meet their eyes.
They know this cold,
This heavy gray

I walk with fire burning inside, my charred words resonating,
Hanging by strings
Held tight by ribs
And lungs
By layers of skin and clothing.

I release my breath, I bare my teeth
I watch this slow release
This air escaping in curls and whispers from my silent, empty throat.

I turn the corner toward home
I turn my back to the bitter cold.
I step inside
My stomach a space of grounding, of intuition and trust.
A new breath of fiery coals.

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Where the Heart Lives

My heart lives in many different places, in many different times. The place of my heart is often outside myself, tucked in the forest…really it could be any forest, but I love the quiet beauty of places most people don’t see as beautiful. I love swamps and bogs and old rotting trees where  pileated woodpeckers hide and my son calls out to mourning doves in such a perfect tone that they answer him, they converse for what seems like days.

My heart lives in the peat comprised of so much dead matter building on itself, creating a space no person can enter, it will swallow you. There is something eerie and beautiful about swamps and bogs, the myriad of life, the morning dew resting in the cup of a pitcher plant.

Several times a year I find myself sitting on a bridge in East Callais, Vermont, feet on the edge of a fen (a particular type of bog.) It is silent aside from birds singing and crackling of twigs as animals roam through the forest. I wonder how deep the bog is. I think of how my body would be preserved if I were to throw myself in and surrender to the thick layer of peat and moss where cattails would become my arms and my hair would be a ragged mess slime molds and fungus. I find my feet dangling off the edge, the sun beating down on my face and I read the landscape like I read a book. The familiar words like the worn path. There is no sign leading to this bog, it is secret to most and when I first visited it felt like home, like I had known the landscape for a long time. I can sense the animals watching me, I want them to watch me. I don’t need to see them, but they know I am there.

I watch the birch trees on the other side of the bog, standing strong like soldiers protecting this ancient tomb. My heart longs to be part of this, part of the decomposition and the death that brings life to the surface, part of the mystery beneath the peat. I step quietly on my way there, passing old stone walls that were used as pasture, I see evidence of strong storms from hundreds of years ago where trees were knocked down, the ground pillows and cradles beneath their roots, I count the whorls on the pine trees and remember how long this land has been untouched, unaltered.

I climb over fallen trees and dark shadows to emerge in a bed of ferns, the oldest living vascular plant that lies in front of me like a bed. Just like the bed of ferns I used to nap in when I was a child, where I played with faeries and used moss as a pillow for my weary head. I notice the spores and what a brilliant strategy it is to disperse yourself like that, the let the wind carry you as it carries my hair, as it carries the red tailed hawk above me. I sit in the ferns and remember that feeling of innocence I had as a child. The ferns are the gateway to the bog, a darker and more mysterious side of myself dwells there.

My heart beats with the sound of spring peepers and crickets and again I am brought back to a silent place where I think, this is where I shall return, when I become ash, when I become peat, when I become truly silent and I can disappear here, where no one can see me buried beneath, where I become part of the hundred year process. There is something magic to me about the idea of letting yourself go, to decompose, to rot and become a bigger part of a living organism containing hundreds of other organisms. This is my peace and like the waves of the ocean, it beckons me in. I stick a toe in, just to see and the peat feels warm on my feet, like thick mud. It sucks my toe in.

This is as far as I will dive for now, but someday I will return and feed this ecosystem, or one like it. This will be the resting place for my heart, my bones. Untouched, no box, no skin. I am free in this bog. I lay down on the bridge that truly leads to nowhere and I let the sun touch my face, soaking it all in until I force myself to leave, wandering back into the shadows of the forest, back to the ferns with patches of light that shine though. Back down the beaten path where my feet pad along the pine needles. I keep that bog with me.

I am also ugly and deep like the bog, in my shadows, in my heart. There is beauty in accepting the ugly, in walking among the shadows. I can taste the air, damp, moist and soil like. I leave this place knowing I will come back, to wonder again, to bask in the sun, to watch the predatory plants, to walk in the footprints of deer. I leave a piece of my heart here each time so I know where to find it when I need it. The bog knows when to call me. My heart lies in many places, but the forest is the blood within me. My heart is a fragile ecosystem in a state of metamorphosis.